Difference between revisions of "The Red Lady"
(Created page with "{{InfoboxHour | title = The Red Lady | card = File:nope | origin = Blood | titles = The Uninvited Gues | names = ''none'' | aspects = {{Aspect|Grail}} {{Aspect|Winter}} {{Aspe...") |
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| card = File:nope | | card = File:nope | ||
| origin = Blood | | origin = Blood | ||
| − | | titles = The Uninvited | + | | titles = The Uninvited Guest, |
| − | | names = | + | | names = Death-Defier, The Child Queen |
| aspects = {{Aspect|Grail}} {{Aspect|Winter}} {{Aspect|Moth}} | | aspects = {{Aspect|Grail}} {{Aspect|Winter}} {{Aspect|Moth}} | ||
| − | | arrival = | + | | arrival = Exact details unknown, but thought to be around 11000-10000 BCE. |
| owners = [[User:t3isukone|t3isukone]] | | owners = [[User:t3isukone|t3isukone]] | ||
| − | }}'''The Red Lady''' ('''The Uninvited Guest''') is the | + | }}'''The Red Lady''' ('''The Uninvited Guest''') is the third Hour of the Fansus, created by [[User:t3isukone|t3isukone]]. She is a God-from-Blood, born of desperate need and of waste, and as old as humanity's foolishness. Her aspects are [[:Category:Grail (Vol. II)|Grail]], [[:Category:Winter (Vol. II)|Winter]], and [[:Category:Moth (Vol. II)|Moth]] in decreasing order of importance. |
| − | Her Tarot card is | + | Her Tarot card is the Empress. |
== Description == | == Description == | ||
She stays far away when she shows herself on our world, but there are many stories of before a kingdom or country’s fall or a great plague, of a beautiful woman being seen at the edge of a crowd. She is a God-from-Blood-what blood is unsure. Some say that when Gilgamesh sated his hungers among the wives of Babylon, one of them watched as he fell in his pursuit of immortality-some say that a river valley went dry or flooded one too many times, and a woman in bloody clothing began to walk by it-some say that she watched pre-human civilizations when plague went among them. But all that is known is that she has been around for at the very least most of human history. | She stays far away when she shows herself on our world, but there are many stories of before a kingdom or country’s fall or a great plague, of a beautiful woman being seen at the edge of a crowd. She is a God-from-Blood-what blood is unsure. Some say that when Gilgamesh sated his hungers among the wives of Babylon, one of them watched as he fell in his pursuit of immortality-some say that a river valley went dry or flooded one too many times, and a woman in bloody clothing began to walk by it-some say that she watched pre-human civilizations when plague went among them. But all that is known is that she has been around for at the very least most of human history. | ||
| + | <br> | ||
| + | The Gilgamesh story seems to hold the most truth. Though now she is more identified with the oppression itself and the excess that can be gone to, she was, in the beginning, the oppressed. Exactly how much of the story is true is unknown, and neither she nor the Name most often implicated seem willing to answer. | ||
| + | <br> | ||
| + | Can't think of a fancy way to put this rn-she's nouveau riche trash who's nowhere near as classy as she pretends. | ||
=== Appearance === | === Appearance === | ||
he Red Lady is always beautiful, if you do not look on her closely. From afar, she appears to normally be a beautiful woman dressed in high fashion of whatever era she is in, all a brilliant red. Closer, there are flaws-the smell of rot and flies that surround her, the lesions in her rotting skin, the sticky residue of blood she leaves beneath her. | he Red Lady is always beautiful, if you do not look on her closely. From afar, she appears to normally be a beautiful woman dressed in high fashion of whatever era she is in, all a brilliant red. Closer, there are flaws-the smell of rot and flies that surround her, the lesions in her rotting skin, the sticky residue of blood she leaves beneath her. | ||
=== Principles === | === Principles === | ||
| − | The Red Lady is invoked when decay is hidden with gaudy displays, when one’s desires destroy them from the inside, when the rich feast as the poor starve. Excess and decay are both her principles, but she is always a creature of both. Blood and rot are as sacred to the Red Lady as wealth and festivities, and her cults often let sacrifices fester, that they may be more pleasing to her. | + | The Red Lady is invoked when decay is hidden with gaudy displays, when one’s desires destroy them from the inside, when the rich feast as the poor starve. Excess and decay are both her principles, but she is always a creature of both. Blood and rot are as sacred to the Red Lady as wealth and festivities, and her cults often let sacrifices fester, that they may be more pleasing to her. |
| − | + | <br> | |
==Worship== | ==Worship== | ||
===Cult=== | ===Cult=== | ||
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== Relationships == | == Relationships == | ||
* [[]]: | * [[]]: | ||
| − | * [[The Spirarch]]: | + | * [[The Spirarch]]: The Red Lady is not an hour of revolution, but it tends to happen in situations with her hand in them-and the Spirarch approves of that. The two are allies. |
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
| Line 47: | Line 51: | ||
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
| − | * [[The Die Cutter]]: | + | * [[The Die Cutter]]: |
| − | * [[The Mother Bear]]: | + | * [[The Mother Bear]]: . |
* [[The Succulent Glow]]: An odd kinship, in her opinion. A rivalry, in its. | * [[The Succulent Glow]]: An odd kinship, in her opinion. A rivalry, in its. | ||
* [[]]: | * [[]]: | ||
| − | * [[The | + | * [[The Princess Prominent]]: An Hour of birth and an hour of decay rarely get along. |
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
* [[The Fell-Feaster]]: | * [[The Fell-Feaster]]: | ||
| − | * [[The Monument]]: | + | * [[The Monument]]: |
* [[The Cub]]: | * [[The Cub]]: | ||
* [[The Seraph]]: . | * [[The Seraph]]: . | ||
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
| − | * [[The Worm Funktastic]]: | + | * [[The Worm Funktastic]]: The Red Lady has, after the 1920s, come to understand funkiness. She does not enjoy it. |
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| − | |||
* [[]]: | * [[]]: | ||
| + | * [[The Rotted Ox]]: BEST FRIENDS. | ||
| + | * [[The Clavier]]: The Red Lady likes the Clavier, which the Clavier takes as an insult. This is mostly because she likes facades that hide nasty things. | ||
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
* [[]]: | * [[]]: | ||
| − | * [[The Unending Worm]]: | + | * [[The Unending Worm]]: |
| − | |||
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Latest revision as of 11:02, 20 June 2019
| The Red Lady | |
|---|---|
 | |
| Origin | Blood |
| Titles | The Uninvited Guest, |
| Names | Death-Defier, The Child Queen |
| Aspects |
   |
| Date of arrival | Exact details unknown, but thought to be around 11000-10000 BCE. |
| Owner(s) | t3isukone |
The Red Lady (The Uninvited Guest) is the third Hour of the Fansus, created by t3isukone. She is a God-from-Blood, born of desperate need and of waste, and as old as humanity's foolishness. Her aspects are Grail, Winter, and Moth in decreasing order of importance.
Her Tarot card is the Empress.
Contents
Description
She stays far away when she shows herself on our world, but there are many stories of before a kingdom or country’s fall or a great plague, of a beautiful woman being seen at the edge of a crowd. She is a God-from-Blood-what blood is unsure. Some say that when Gilgamesh sated his hungers among the wives of Babylon, one of them watched as he fell in his pursuit of immortality-some say that a river valley went dry or flooded one too many times, and a woman in bloody clothing began to walk by it-some say that she watched pre-human civilizations when plague went among them. But all that is known is that she has been around for at the very least most of human history.
The Gilgamesh story seems to hold the most truth. Though now she is more identified with the oppression itself and the excess that can be gone to, she was, in the beginning, the oppressed. Exactly how much of the story is true is unknown, and neither she nor the Name most often implicated seem willing to answer.
Can't think of a fancy way to put this rn-she's nouveau riche trash who's nowhere near as classy as she pretends.
Appearance
he Red Lady is always beautiful, if you do not look on her closely. From afar, she appears to normally be a beautiful woman dressed in high fashion of whatever era she is in, all a brilliant red. Closer, there are flaws-the smell of rot and flies that surround her, the lesions in her rotting skin, the sticky residue of blood she leaves beneath her.
Principles
The Red Lady is invoked when decay is hidden with gaudy displays, when one’s desires destroy them from the inside, when the rich feast as the poor starve. Excess and decay are both her principles, but she is always a creature of both. Blood and rot are as sacred to the Red Lady as wealth and festivities, and her cults often let sacrifices fester, that they may be more pleasing to her.
Worship
Cult
Mark=
Servants
Locations
The Fansus
The Histories
Items
Tools
Ingredients
Books
Relationships
Relationships
- [[]]:
- The Spirarch: The Red Lady is not an hour of revolution, but it tends to happen in situations with her hand in them-and the Spirarch approves of that. The two are allies.
- [[]]:
- [[]]:
- The Worm's Foundations:
- [[]]:
- [[]]:
- The Die Cutter:
- The Mother Bear: .
- The Succulent Glow: An odd kinship, in her opinion. A rivalry, in its.
- [[]]:
- The Princess Prominent: An Hour of birth and an hour of decay rarely get along.
- [[]]:
- [[]]:
- The Fell-Feaster:
- The Monument:
- The Cub:
- The Seraph: .
- [[]]:
- [[]]:
- The Worm Funktastic: The Red Lady has, after the 1920s, come to understand funkiness. She does not enjoy it.
- [[]]:
- The Rotted Ox: BEST FRIENDS.
- The Clavier: The Red Lady likes the Clavier, which the Clavier takes as an insult. This is mostly because she likes facades that hide nasty things.
- [[]]:
- [[]]:
- [[]]:
- [[]]:
- The Unending Worm:
