Difference between revisions of "User:Ael"
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==[[The Faustian Alchemist]]== | ==[[The Faustian Alchemist]]== | ||
− | My first thought of my first Hour, was one with a tragic origin of sacrifice and love, of sorts, and the name of this Hour was actually inspired by a metal song named accordingly. As I figured this wasn't enough, I eventually made the origin not as personally tragic (but still involving a lot of dying), and adapted it to the post-apocalyptic theme of the Fourth Fansus, namely by making it a so to say Marxist opponent of [[The Demiurge]], who I didn't even consider at first, among with the other 'Revolutionary Hours'. | + | My first thought of my first Hour, was one with a tragic origin of sacrifice and love, of sorts, and the name of this Hour was actually inspired by a metal song named accordingly. |
+ | As I figured this wasn't enough, I eventually made the origin not as personally tragic (but still involving a lot of dying), and adapted it to the post-apocalyptic theme of the Fourth Fansus, namely by making it a so to say Marxist opponent of [[The Demiurge]], who I didn't even consider at first, among with the other 'Revolutionary Hours'. I also decided to give him kind of a more emotional side, which I still have kind of split feelings on, but is in the end not as relevant. As to the time in the Furnace: this part wasn't really fleshed out that much, though eventually it was quite acceptable nonetheless. | ||
+ | |||
+ | Generally, he's not the Hour I'd consider my best work, but I do like the Forge-sentiment in it, and still have more connection to it, too, namely because it is, as said, my first Hour |
Revision as of 08:16, 14 July 2019
Hours with Commentary
The Faustian Alchemist
My first thought of my first Hour, was one with a tragic origin of sacrifice and love, of sorts, and the name of this Hour was actually inspired by a metal song named accordingly. As I figured this wasn't enough, I eventually made the origin not as personally tragic (but still involving a lot of dying), and adapted it to the post-apocalyptic theme of the Fourth Fansus, namely by making it a so to say Marxist opponent of The Demiurge, who I didn't even consider at first, among with the other 'Revolutionary Hours'. I also decided to give him kind of a more emotional side, which I still have kind of split feelings on, but is in the end not as relevant. As to the time in the Furnace: this part wasn't really fleshed out that much, though eventually it was quite acceptable nonetheless.
Generally, he's not the Hour I'd consider my best work, but I do like the Forge-sentiment in it, and still have more connection to it, too, namely because it is, as said, my first Hour